谁和尤利烏斯·凱撒约会过？

盖乌斯·尤利乌斯·凯撒（拉丁語：Gaius Iulius Caesar；前100年7月12日或13日—前44年3月15日；Julius又译儒略，Caesar又译恺撒、凯萨），羅馬共和國將軍、政治家與作家，自前49年至前44年幾乎持續擔任獨裁官，直至在龐貝劇場遇刺。他是前三头同盟成員之一，率領羅馬軍隊征服高盧，並在內戰中擊敗政治對手庞培。他隨後鞏固權力並於前44年自稱「終身獨裁官」，此舉加劇羅馬共和國晚期的危機，最終促成共和體制的崩潰與羅馬帝國的誕生。他被視為歷史上最具影響力的人物之一。

前60年，凱撒與克拉蘇、庞培組成前三头同盟，非正式地掌控羅馬政治。此聯盟遭到元老院中如小加图等人的反對，而西塞罗亦私下支持反對陣營。凱撒憑藉高盧戰爭中的一連串勝利，崛起為羅馬最強勢的政治人物之一，大幅擴張了羅馬領土。他還曾入侵不列顛並在萊茵河上架橋。這些成就以及他對老兵的掌控，使其地位逐漸凌駕於龐培之上。至前50年，龐培轉而與元老院結盟。當凱撒的軍事指揮權即將到期、戰事亦告一段落時，元老院命令他解除軍權返回羅馬。前49年初，凱撒公然違抗命令，率軍橫渡盧比孔河，進軍羅馬，從而引發內戰。他最終勝出，於前45年掌握近乎無可挑戰的權力。

凱撒在掌握政權並赦免許多敵人後，推行大規模改革與建設。他制定儒略曆以取代舊有曆法，削減糧食配給，將退伍軍人安置於海外殖民地，大幅擴充元老院人數，並將公民權擴展至西班牙與今日義大利北部的部分地區。前44年初，他被宣布為「終身獨裁官」。布魯圖斯與卡西乌斯等元老院議員因擔心凱撒權力過大、可能稱王，於前44年3月15日將其刺殺。此後爆發新的內戰，共和國的憲政體制再未真正恢復。凱撒的外甥孫兼養子屋大維（後稱奥古斯都）在擊敗對手後成為唯一統治者，最終建立帝制。

凱撒除擅長軍事與政治外，也是出色的作家與歷史記錄者，其軍事行動多由其親自撰寫記錄。後世史家對其生平的了解亦來自西塞罗的書信與演說，以及撒路斯提乌斯的史著；後世如苏埃托尼乌斯與普魯塔克的傳記亦是重要來源。多數歷史學者認為凱撒是史上最偉大的軍事統帥之一。他的「凱撒」之名後來成為皇帝的同義詞，在羅馬帝國廣泛使用，並衍生出如「Kaiser」與「Tsar」等稱號；同時，他也頻繁出現在各類文學與藝術作品之中。

Mamurra est un chevalier romain, intendant de Jules César dans les Gaules.

Il vivait au I^er siècle av. J.-C, amassa par ses exactions d’immenses richesses, et fit, à son retour, bâtir un palais magnifique sur le mont Cœlius.

Catulle a fait de sanglantes épigrammes contre ce favori de Jules César, justement décrié par ses rapines, par son luxe et par ses débauches. Dacier croit que la ville de Formies, qui, dans la satire V du livre I^er d’Horace, est appelée Mamurrarum urbs, lui appartenait. Mais il est plus probable que ce chevalier romain si décrié y avait seulement pris naissance, et que c’est un trait de satire qu’Horace lance en passant contre Mamurra. Formies dévient ainsi la ville des Mamurres parce que Mamurra l’a rendue célèbre par ses vices et ses déportements. Cela semble d’ailleurs plus dans le goût et le génie d’Horace, qui ne pouvait penser autrement que Catulle et tous les honnêtes gens de Rome sur ce fameux débauché.

Ce Mamurra est appelé ailleurs par Horace decoctor Formianus (le dissipateur, le mangeur de Formies), ce qui indique le cas qu’il en faisait. Il paraît que ce personnage était riche d’ailleurs, et avait à Rome une belle maison. Ce fut lui qui donna le premier, à Rome, l’exemple de faire incruster de marbre les murailles ; d’où cette sorte d’ornement prit en architecture le nom de décoration mamurrine.

Mucia Tertia (fl. 79 – 31 BC) was a Roman matrona who lived in the 1st century BC. She was the daughter of Quintus Mucius Scaevola, the pontifex maximus and consul in 95 BC.

Around 79 BC, Mucia married Pompey, a leading and soon-to-be dominant figure in Roman politics. She was the mother of all three of Pompey's known children. Pompey divorced her in 61 BC, either for adultery or for political reasons. She subsequently married Marcus Aemilius Scaurus and remained active in Roman politics, leading peace talks between her son Sextus Pompey and Octavian in 39 BC and maintaining a relationship of mutual respect with Octavian in the years that followed.

Lollia was an Ancient Roman noblewoman. She was the wife of Roman general Aulus Gabinius. She was also a mistress of Julius Caesar.

塞薇利娅·加比奥尼（前100年—前42年）马可斯·布鲁图斯的母亲。塞薇利娅是少数在古罗马的历史纪录中被提名的妇女。她非常有雄心。为了得到凯撒的青睐，她给凯撒写了一封情书，并让人将它送到元老院去交给凯撒，当凯撒在会议间偷偷读这份情书时，塞薇利娅·加比奥尼的同母異父弟弟（小加圖）以为凯撒在搞阴谋控告凯撒。凯撒说他读的不是阴谋信，而是一封情书，但因为许多在场的元老不相信他，他被迫交出这封情书，导致了一场轰然丑闻。塞薇利娅与凯撒之间的情人关系一直持续到凯撒被刺。

虽然刺杀凯撒的是塞薇利娅的儿子，刺杀者還在凯撒死后到塞薇利娅的家里聚会，且塞薇利娅也在會議當中为他们出謀劃策，但是塞薇利娅在后来没有遭到迫害。

Cossutia was a Roman woman who became engaged to Julius Caesar prior to his reaching adulthood. There has been debate among historians on whether the marriage actually occurred.

Sempronia war eine römische Aristokratin der späten Republik. Sie war die Frau des Decimus Iunius Brutus, Konsul des Jahres 77 v. Chr., und nach Sallust aktive Teilnehmerin – zumindest Mitwisserin – an der catilinarischen Verschwörung.

Eunoë Maura was the wife of Bogudes, King of Western Mauretania. Her name has also been spelled Euries or Euryes or Eunoa.

Clodia (born Claudia; c. 94/95 BC), nicknamed Quadrantaria ("Quarter", from quadrantarius, the price of a visit to the public baths), Nola ("The Unwilling", from the verb nolo, in sarcastic reference to her alleged wantonness), Medea Palatina ("Medea of the Palatine") by Cicero (see below), and occasionally referred to in scholarship as Clodia Metelli ("Metellus's Clodia"), was one of three known daughters of the ancient Roman patrician Appius Claudius Pulcher.

Like many other women of the Roman elite, Clodia was very well-educated in Greek and philosophy, with a special talent for writing poetry. Her life, which was characterized by perpetual scandal, is immortalized in the writings of Marcus Tullius Cicero and, it is generally believed, in the poems of Gaius Valerius Catullus.

Tertulla was the wife of Marcus Licinius Crassus, "the richest man in Rome", and the mother of his two sons.

Ниса (др.-греч. Νύσα) — дочь царя Вифинии Никомеда IV (по другим, видимо, устаревшим сведениям — Никомеда III), жившая в I веке до н. э.

Cleopatra VII Thea Philopator (Koine Greek: Κλεοπάτρα Θεά Φιλοπάτωρ, lit. 'Cleopatra father-loving goddess'; 70/69 BC – 10 or 12 August 30 BC) was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and the last active Hellenistic pharaoh. A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. Her first language was Koine Greek, and she is the only Ptolemaic ruler known to have learned the Egyptian language, among several others. After her death, Egypt became a province of the Roman Empire, marking the end of the Hellenistic period in the Mediterranean, which had begun during the reign of Alexander (336–323 BC).

Born in Alexandria, Cleopatra was the daughter of Ptolemy XII Auletes, who named her his heir before his death in 51 BC. Cleopatra began her reign alongside her brother Ptolemy XIII, but a falling-out between them led to a civil war. Roman statesman Pompey fled to Egypt after losing the 48 BC Battle of Pharsalus against his rival Julius Caesar, the Roman dictator, in Caesar's civil war. Pompey had been a political ally of Ptolemy XII, but Ptolemy XIII had him ambushed and killed before Caesar arrived and occupied Alexandria. Caesar then attempted to reconcile the rival Ptolemaic siblings, but Ptolemy XIII's forces besieged Cleopatra and Caesar at the palace. Shortly after the siege was lifted by reinforcements, Ptolemy XIII died in the Battle of the Nile. Caesar declared Cleopatra and her brother Ptolemy XIV joint rulers, and maintained a private affair with Cleopatra which produced a son, Caesarion. Cleopatra traveled to Rome as a client queen in 46 and 44 BC, where she stayed at Caesar's villa. After Caesar's assassination, followed shortly afterwards by the sudden death of Ptolemy XIV (possibly murdered on Cleopatra's order), she named Caesarion co-ruler as Ptolemy XV.

In the Liberators' civil war of 43–42 BC, Cleopatra sided with the Roman Second Triumvirate formed by Caesar's heir Octavian, Mark Antony, and Marcus Aemilius Lepidus. After their meeting at Tarsos in 41 BC, the queen had an affair with Antony, which produced three children. Antony became increasingly reliant on Cleopatra for both funding and military aid during his invasions of the Parthian Empire and the Kingdom of Armenia. The Donations of Alexandria declared their children rulers over various territories under Antony's authority. Octavian portrayed this event as an act of treason, forced Antony's allies in the Roman Senate to flee Rome in 32 BC, and declared war on Cleopatra. After defeating Antony and Cleopatra's naval fleet at the 31 BC Battle of Actium, Octavian's forces invaded Egypt in 30 BC and defeated Antony, who committed suicide. After his death, Cleopatra reportedly killed herself, probably by poisoning, to avoid being publicly displayed by Octavian in a Roman triumphal procession.

Cleopatra's legacy survives in ancient and modern works of art. Roman historiography and Latin poetry produced a generally critical view of the queen that pervaded later Medieval and Renaissance literature. In the visual arts, her ancient depictions include Roman busts, paintings, sculptures, cameo carvings and glass, Ptolemaic and Roman coinage, and reliefs. In Renaissance and Baroque art, she was the subject of many works including operas, paintings, poetry, sculptures, and theatrical dramas. She has become a pop culture icon of Egyptomania since the Victorian era, and in modern times has appeared in the applied and fine arts, burlesque satire, Hollywood films, and brand images for commercial products.